It’s a question I get asked very often in my studio: “Which glue works best for repairing my broken ceramic piece?” In fact, it might surprise you, but the answer is simple: your best bet is as good as mine!
Even though we potters work with clay every day, we are not necessarily experts in restoration. Repairing ceramics in a safe, durable, and aesthetically harmonious way is a true profession in its own right. It requires specialized knowledge of adhesives, materials, and techniques that most potters do not study in depth.
Ceramics already undergo an incredible transformation throughout the creative process. From shaping the clay to firing, as well as glazing and finishing, each step requires precise and specialized know-how. My role as a potter is to transform clay into cups, plates, and bowls that are both beautiful and functional. Beyond that, there is an entirely different world of expertise and techniques for gluing back together fired and cracked pieces.
I am very often asked to perform Kintsugi : the traditional Japanese art of repairing ceramics with gold. This always surprises me, as it is completely outside my field of expertise and uses materials I never encounter in my studio. In Kintsugi, the "glue" is actually an organic resin derived from the sap of a specific tree. There is no clay, no traditional glue, and no firing. It is a clean, measured, and delicate process. Beautiful in itself, but it doesn't really match the effervescent, dusty, and busy pace of my daily work here.
During the holidays, I was lucky enough to take a short introductory course in Paris with a professional restorer, and I saw for myself just how distinct and specialized this work is. Kintsugi is deeply rooted in Japanese cultural heritage, and although it fascinates me, I would not feel comfortable practicing or promoting it without a respectful and lengthy apprenticeship in that tradition. For now, it is simply something that interests me, but not enough to leave my role and my work as a creator to dedicate myself to restoration.
So, what should you do if your favorite piece is broken? My advice is simple: either call in a professional restorer or think carefully about whether the piece is still safe and functional to use. A broken handle on a cup? Sand down the edges and see if it remains usable. Sometimes a cup can still fulfill its function despite a small imperfection. A chipped plate or bowl? If it can still hold food safely, there is no reason not to keep using it.
Interesting fact: imperfections in ceramics can actually add character! Ceramics are made to be used, loved, and sometimes a little worn. A broken piece doesn't always need to be "repaired" to remain meaningful in your life. But if you decide to have it restored, entrust it to someone who is trained so that the work is safe and successful!
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